TanquerayNo. Ten Gin, 750ml
Distilled with fresh grapefruit, orange and lime. The martini gin, and a good one for the French 75.

The martini, the Old Fashioned, the Negroni and four more: the exact specifications, the bottles to keep, the tools that matter and how to host with them.
By Beau Brummell · October 31, 2026 · 10 min read

The Home Bar
A man should be able to make a proper drink in his own house. Not forty drinks, and not anything involving a smoke gun, edible glitter or a syrup he read about on his phone. Seven drinks, made well, from bottles he keeps on hand, cover every occasion from a quiet Tuesday to a dinner for eight. What follows are those seven, written out as recipes, with the bottles worth buying and the few tools that make the difference.
The cocktail is an American invention. In my day a gentleman drank claret at dinner and port after it, and the idea of mixing spirits with sugar and bitters would have been regarded in St James's as an American eccentricity. It was, and the Americans were right.
First, measure. The best bartenders in the world use a jigger for every pour, because a cocktail is a recipe, not a mood. Second, use more ice than seems reasonable, and good ice: large, clear, cold and fresh from the freezer, never the cubes that have been absorbing the smell of the fish fingers since March. Third, citrus must be squeezed the same day; nothing from a bottle. Fourth, keep vermouth in the fridge. It is wine, it oxidises, and an open bottle on the bar cart since last Christmas is the reason most home Manhattans taste of cough syrup.
Each card gives the official specification of the International Bartenders Association, the body that keeps the world's reference recipes, in millilitres as the IBA writes it, with ounces alongside. The notes underneath are where we allow ourselves an opinion.

No. 1
The martini is the test of a bar and of a host. Six parts gin to one of vermouth is drier than the two-to-one martini of the 1920s and wetter than the 1950s joke of waving the vermouth bottle at the glass, and it is right. A dash of orange bitters is not in the IBA recipe but is welcome. Tanqueray No. Ten and Plymouth are the gins to keep; Dolin is the vermouth. Vodka is permitted, but nobody has ever been impressed by it.
International Bartenders Association official recipe (IBA). Ounces are rounded.

No. 2
This is the closest surviving drink to the 1806 definition, and the one to learn first. The garnish is orange and a cherry; what it is not is a fruit salad. Muddled cherries, orange wheels and a splash of soda belong to a later, sweeter era. A barspoon of rich demerara syrup can stand in for the sugar cube if you make these often. Michter's and WhistlePig are good places to start; a wheated bourbon makes it softer, a rye makes it drier.
International Bartenders Association official recipe (IBA). Ounces are rounded.

No. 3
Equal parts, impossible to get wrong and the best aperitif ever devised. Tradition credits Count Camillo Negroni, who asked a Florentine bartender to stiffen his Americano with gin around 1919. Cocchi Vermouth di Torino or Carpano Antica Formula is the vermouth. If the evening is long, swap the gin for prosecco and you have a Sbagliato, which is lighter and every bit as good.
International Bartenders Association official recipe (IBA). Ounces are rounded.

No. 4
Forget the frozen, strawberry-flavoured thing served by the litre on a cruise ship. The real daiquiri is three ingredients, sharp, cold and gone in four sips, and it is the best single test of whether a bartender knows what he is doing. It was named after a beach near Santiago de Cuba and perfected at El Floridita in Havana, where Constantino Ribalaigua Vert made them for Hemingway. Use a good light rum such as Banks 5 Island or Planteray 3 Stars. Simple syrup in place of the sugar is easier, and no one will know.
International Bartenders Association official recipe (IBA). Ounces are rounded.


No. 5
The Manhattan is the martini's darker, warmer cousin and the drink for a cold evening. Rye was the original whiskey and is still the right one; bourbon makes it sweeter. It is also the drink most improved by fresh vermouth, which is the whole argument for keeping the bottle in the fridge.
International Bartenders Association official recipe (IBA). Ounces are rounded.

No. 6
The drink of the Kentucky Derby, and the best reason to own a metal cup. The cup frosts, the ice melts slowly and the drink is as much aroma as taste, which is why the mint goes on top, next to the nose. Make it once a year, on the first Saturday in May, and make it properly.
International Bartenders Association official recipe (IBA). Ounces are rounded.

No. 7
Named after the French 75-millimetre field gun of the First World War, for reasons that become clear after the second. It is the right drink for a celebration that would otherwise be a glass of Champagne, and it makes a non-vintage Champagne taste like something better. A brut such as Pol Roger or Billecart-Salmon is plenty; save the vintage for drinking on its own.
International Bartenders Association official recipe (IBA). Ounces are rounded.

TanquerayDistilled with fresh grapefruit, orange and lime. The martini gin, and a good one for the French 75.
WhistlePigTen years old, bottled at a hundred proof on a Vermont farm. Firm enough that a Manhattan still tastes of whiskey.
CarpanoRich, vanilla-dark Italian vermouth for the Negroni and the Manhattan. Refrigerate after opening.
Every man of a certain age has tried to order the Vesper, and most bars make it badly, because Kina Lillet no longer exists. The IBA now specifies Lillet Blanc; Cocchi Americano is closer to the bitter original. It is a fine drink and an enormous one; treat it as an occasional party trick rather than a habit.

Off the list
Bond ordered his in a deep Champagne goblet with a large thin slice of lemon peel. Stirring makes it silkier, but on this one point the author outranks the bartender.
International Bartenders Association official recipe (IBA). Ounces are rounded.
The tools are few and should be good. A heavy Japanese mixing glass, a long weighted barspoon, a Japanese-style jigger marked in quarter ounces, a Hawthorne strainer and a pair of weighted shaker tins: Cocktail Kingdom makes the professional standard for all of them. Add a mould or press for clear ice, a sharp Y-peeler for twists and a hand juicer. That is the entire kit, and it fits in a drawer.
Cocktail KingdomSeamless, heavy and cut in the Japanese yarai pattern: the glass most serious bars stir in.
Cocktail KingdomA pair of tins that seal with a tap and part with another. The daiquiri and French 75 need nothing else.
Cocktail KingdomMelts a block of clear ice into a perfect sphere. Extravagant, and the Old Fashioned is better for it.
The glassware matters more than people think. A stemmed coupe or Nick & Nora keeps a cold drink cold and a warm hand away from it; a heavy rocks glass makes an Old Fashioned feel like one. Buy six of each from Riedel, Nude or, for the rocks glasses, Baccarat, and never serve a stirred drink in a pint glass. There is more on glassware and the bottles worth owning in How to Drink Like a Gentleman.
The bottles are the short list implied above: a London dry gin, a bourbon, a rye, a light rum, Campari, a dry and a sweet vermouth, Angostura and orange bitters, and a bottle of Champagne in the fridge. Ten bottles, seven classic drinks and every guest accounted for.
Choose one drink for the evening and make it well, rather than taking orders like a short-staffed hotel bar. Batch it in advance if there are more than six of you: stirred drinks can be mixed, diluted with about a fifth of their volume in water and kept in the freezer, then poured straight into chilled glasses. Have something good and non-alcoholic on hand as well; in 2026 there is always someone at the table who is not drinking, and a proper alcohol-free option is a courtesy, not a concession.
Then stop at two. A martini is strong, and the host is the one person at the party who must remember it.

The house bible of the New York bar that set the standard for the modern cocktail revival. The specifications are exact and the method sections teach more than most bartending courses.
Get the book →
The book by the man who brought fresh juice and classic recipes back to the Rainbow Room in the late 1980s, and so, arguably, to everyone else.
Get the book →
The best explanation of why cocktails work, organised by family rather than alphabet, so that learning one drink teaches you ten.
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The history of the American bar through Jerry Thomas, its first celebrity. Scholarly, funny and full of recipes nobody has made properly in a century.
Get the book →
For the man who wants to know why clear ice matters and what dilution does. Part science text, part cookbook, entirely absorbing.
Get the book →Learn seven drinks. Measure everything, use good ice, squeeze citrus the same day and keep the vermouth cold. Stir spirits, shake citrus, serve in the right glass, and stop at two.
The martini, the Old Fashioned, the Negroni, the daiquiri, the Manhattan, the mint julep and the French 75. Between them they cover gin, whiskey, rum and Champagne, and every occasion from an aperitif to a celebration.
Stirred. A drink made entirely of spirits, like a martini or a Manhattan, should be stirred with ice for about thirty seconds so that it is cold and silky. Drinks containing citrus juice, like a daiquiri, should be shaken.
A mixing glass, a barspoon, a jigger, a Hawthorne strainer and a pair of shaker tins, plus a mould for large clear ice, a peeler and a juicer. For bottles: a London dry gin, a bourbon, a rye, a light rum, Campari, dry and sweet vermouth, Angostura and orange bitters, and Champagne.
In the fridge, once opened. Vermouth is a fortified wine and oxidises within weeks at room temperature, which is the most common reason home Manhattans and martinis taste wrong.
Death & Co: Modern Classic Cocktails for exact modern specifications, and Dale DeGroff's The Craft of the Cocktail for the classics. Gary Regan's The Joy of Mixology best explains why drinks work.
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