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The 2027 Met Gala is about jeans and T-shirts. It's harder than it sounds

The Graze · November 9, 2026
The Fifth Avenue entrance of the Metropolitan Museum of Art in New York, where the Met Gala is held
Photo: TheCatalyst31, CC BY-SA 4.0, via Wikimedia Commons

A party with $100,000 tickets has picked the cheapest clothes in your wardrobe.

On November 5 the Metropolitan Museum of Art announced that the Costume Institute's spring 2027 exhibition will be "extraORDINARY: Fashion and the Poetics of the Everyday". It opens on May 9, 2027 and runs to January 9, 2028 at The Met Fifth Avenue. The Met Gala, the benefit that launches it, is on Monday, May 3. The museum's own summary of the subject: "jeans, T-shirts, and puffer coats", alongside "paper, plastic, and metal".

The exhibition and gala are made possible by Instagram, with major funding from Moncler and further support from Condé Nast. Co-chairs and other details of the night have not yet been announced.

The show that replaced Galliano

This was not the plan. Over the summer the Met announced "John Galliano: Horizons" as its 2027 show. Galliano was convicted of a hate crime by a French court in 2011 after a series of racist and antisemitic remarks, and the choice drew a backlash. On August 31 the museum and the designer said jointly that the exhibition "will not proceed as planned".

"I didn't have a plan B," Andrew Bolton, the Costume Institute's curator in charge, told Vogue. He said he wanted an idea that "wasn't a substitute", and one with "contemporary resonance". He started from this year's show, "Costume Art", which "placed the dressed body at the center of aesthetic experience", and moved on to how clothes are lived in day to day.

What is actually in it

The exhibition opens with garments from Jun Takahashi's autumn/winter 2024-25 Undercover collection, inspired in part by Wim Wenders's film Perfect Days. It closes with Kunihiko Morinaga's clothes for Anrealage, familiar shirts and coats conceived around cubes, spheres and pyramids.

In between are two sections. "Familiar Forms" covers what the Met calls archetypal garments: jeans, T-shirts, hoodies, biker jackets, trench coats and puffers. Named pieces include Matthieu Blazy's 2022-23 jeans for Bottega Veneta, a 2006 Gianfranco Ferré shirt, Marc Jacobs's 1993 flannel shirt for Perry Ellis, a 2011-12 Junya Watanabe biker jacket and a 2019-20 Moncler 1 Pierpaolo Piccioli ensemble. The Bottega Veneta jeans, from Blazy's debut, are not denim at all but leather made to look like it.

"Common Matter" is about materials: paper, plastic and metal, plus clothes built from cutlery, broken china and buttons. It includes a 1992 Comme des Garçons dress by Rei Kawakubo, a 1992-93 Martin Margiela ensemble, a 2003 Helmut Lang jacket and a 2027 dress by Glenn Martens for Maison Margiela. Hypebeast reports between 200 and 230 pieces in all.

A paper dress, Bolton told Vogue, can demand as much skill and labour as a silk gown. "The cost of a material tells us very little about the craftsmanship required to transform it."

A decade of Met Gala themes

Set against the past decade, it is the first theme built around clothes most guests already own.

GalaExhibitionBuilt around
May 1, 2017Rei Kawakubo/Comme des Garçons: Art of the In-BetweenOne designer
May 7, 2018Heavenly Bodies: Fashion and the Catholic ImaginationReligion and art
May 6, 2019Camp: Notes on FashionAn aesthetic idea
2020 (cancelled)About Time: Fashion and DurationTime
Sept 13, 2021In America: A Lexicon of FashionAmerican design
May 2, 2022In America: An Anthology of FashionAmerican design
May 1, 2023Karl Lagerfeld: A Line of BeautyOne designer
May 6, 2024Sleeping Beauties: Reawakening FashionFragile archive pieces
May 5, 2025Superfine: Tailoring Black StyleBlack dandyism and tailoring
May 4, 2026Costume ArtFashion and the body in art
May 3, 2027extraORDINARY: Fashion and the Poetics of the EverydayEveryday clothes and materials

From underwear to the Met

Both garments at the heart of the show started as workwear, and both took about a century to get here.

YearMoment
1873Levi Strauss and Jacob Davis receive US patent 139,121 for riveted work trousers, the first blue jeans
1913The US Navy's uniform regulations specify a "light undershirt" with sleeves "only long enough to cover the armpit"
1951Marlon Brando wears a white T-shirt in A Streetcar Named Desire and makes the undershirt outerwear
1964A pair of Levi's 501s enters the permanent collections of the Smithsonian Institution
1993Marc Jacobs's grunge flannel for Perry Ellis, now in the 2027 show
2022Matthieu Blazy's leather "jeans" for Bottega Veneta, also in the show
2027The jeans and the T-shirt get their own Met Gala
A pair of Levi's 501 raw denim jeans, the design patented in 1873.
A pair of Levi's 501 raw denim jeans, the design patented in 1873. Photo: Michael Carian, CC BY-SA 2.0, via Wikimedia Commons

The money behind the denim

None of this is cheap. This year's gala raised a record $42m for the Costume Institute, up from $31m in 2025, according to the museum figures reported by Fortune and WWD. Individual tickets reached $100,000, up from about $75,000. The Met says the gala is the department's "primary source of annual funding for exhibitions, publications, acquisitions, and operations".

Our take

This is the hardest dress code the Met Gala has set, and most guests will get it wrong.

Camp, Catholicism and Karl Lagerfeld gave stylists permission to do more. "Everyday" asks them to do less, a skill most red-carpet regulars have never needed. The lazy reading, someone in a crystal-covered denim gown, is exactly the thing Bolton's exhibition is arguing against. His examples are clothes where the work is hidden: leather that passes for denim, a shirt or a flannel with the proportions quietly changed.

The money tells the same story. A $100,000 ticket to celebrate the T-shirt is not a contradiction; it is the market as it now works. The richest customers have spent the past few years paying luxury prices for clothes that look plain: the expensive white T-shirt, the cashmere hoodie, the jeans that are not quite jeans. The Met is putting that in a museum. The luxury is not the garment; it is the cut, the cloth and knowing the difference.

For the rest of us, the lesson is cheaper than a ticket. The garments in this show earned their place by being worn for decades. Buy the plain thing well, keep it and wear it until it looks like yours.

What to watch: the co-chairs and dress code, still unannounced; how many puffers appear with Moncler as a major funder; and whether any star arrives in actual jeans.

Sources

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